Skip Navigation



The Review of English Studies Advance Access published online on July 7, 2007

The Review of English Studies, doi:10.1093/res/hgm039
This Article
Right arrow Full Text Freely available
Right arrow FREE Full Text (PDF) Freely available
Right arrow All Versions of this Article:
59/238/1    most recent
hgm039v1
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to My Personal Archive
Right arrow Download to citation manager
Right arrowRequest Permissions
Google Scholar
Right arrow Articles by Schurink, F.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us  
What's this?

© The Author 2007. Published by Oxford University Press 2007; all rights reserved

‘Like a Hand in the Margine of a Booke’: William Blount's Marginalia and the Politics of Sidney's Arcadia1

Fred Schurink

Newcastle University


   Abstract

This article examines an unusually full set of contemporary manuscript marginalia in a copy of the 1593 edition of Sir Philip Sidney's The Countess of Pembroke's Arcadia in the Folger Shakespeare Library, most likely written by William Blount, seventh Lord Mountjoy. The marginalia demonstrate a considerable interest in the political dimension of the Arcadia, particularly in relation to Tacitus's histories, which were associated with the circle of the Earl of Essex in the 1590s. Nowhere, however, do they make an explicit connection between Sidney's work and contemporary politics. Moreover, the annotations indicate that Blount's interest in the Arcadia was by no means confined to politics and that he considered other themes independently of it. The largest group of marginalia in fact concerns ethics, and many deal with love. Blount used narrative parallels, particularly from the fourth book of Virgil's Aeneid, to explore the feelings of characters, especially women, but he was also enthused by erotic passages and included some misogynist comments. This response of a contemporary of Sidney complicates and questions recent critics’ accounts of the politics of Sidney's Arcadia and suggests an interpretation that highlights the rich variety and complexity of the work.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us    What's this?




Disclaimer:
Please note that abstracts for content published before 1996 were created through digital scanning and may therefore not exactly replicate the text of the original print issues. All efforts have been made to ensure accuracy, but the Publisher will not be held responsible for any remaining inaccuracies. If you require any further clarification, please contact our Customer Services Department.